The judges said that the 2015 awards program was “truly an interesting contest, with the strongest overall batch of material to date.” See all of the winners and read more on the 2015 Awards page.
The issue also includes photoessays by renowned photographers Victor Hand and Charles McCreary. Hand offers a glimpse railroading in and around New York City in the 1960s and 1970s, while McCreary recounts growing up around trains in the Upper Midwest in the 1940s and 1950s. This issue also introduces a new column, “Out of the Archives,” edited by Jordan Radke, the Center’s archives manager. The first installment looks at organization and metadata for photography collections.
This 48-page issue is available in our Book Store for $7.95 plus shipping and handling. Members of the Center receive four issues of Railroad Heritage annually as a benefit of membership. If you haven’t done so already, why not join the Center today?
Close to one hundred photographers submitted 389 images for consideration in the 2015 John E. Gruber Creative Photography Awards Program. The entries come from thirty states and seven foreign countries, and represent a diverse mix of styles and approaches. Winners will be announced by December 1.
Details of the 2015 Awards Program
“Be creative” is the theme for the Center’s 2015 John E. Gruber Creative Photography Awards Program. Send us your best, your most creative railroad photographs—views you would be proud to share on the Internet or with friends. Stop, look, and listen, observe what is happening around you—then put your creativity to work. Create your photographs. We are not placing restrictions on your creativity and your opportunities are not limited by specific themes, but photographs must have been taken after December 31, 2010. Digital manipulation is perfectly acceptable so long as it is stated. Remember that interpretations of railroads can be subtle. Don’t ignore the personal side of railroading. Look to the future. What may have seemed creative in the past may be passé today.
If you are sending scans, please scan 35mm slides or negatives with a resolution of at least 2,000 pixels per inch (ppi); medium format negatives or transparencies at 1,200 ppi or higher; large format negatives or transparencies at 600 ppi or higher; 8×10 prints at 300 ppi or higher.
Entrants retain full copyrights to their photographs. By submitting an entry, you grant the Center one-time use for your work in our journal, Railroad Heritage, on our website, and/or on any of our social media platforms. You also grant Railfan & Railroad magazine one-time use for your work in print and on their website.
Theme: Be creative
Deadline: October 1, 2015
Winners announced: December 1, 2015
Submit to: award [at] railphoto-art [dot] org
Format: Up to five (5) full-size JPEG files at “high” or “maximum” quality setting
Include: Your full name, street address, phone number, email address, and brief captions that include location and date
Publication: Railroad Heritage and Railfan & Railroad
Exhibition: California State Railroad Museum
First Prize: $1,000
Second Prize: $500
Third Prize: $250
Two new prints are available through the Center’s Print Program. The 2015 offerings come from Ted Benson and Jeff Mast. Benson’s “Blossoms come to the Tidewater Southern” is an 11×14 silver gelatin print made by the photographer. Mast’s “Cumbres & Toltec” is a 10×15 archival pigment print made by program coordinator Jeff Brouws. Both are available in limited editions of ten, signed by the photographer. Pre-order for pickup at the conference to save ten percent.
We are excited to welcome five docents to Conversations 2015. They are photographers Brandon Townley, Davidson Ward, and John Sanderson, and archivists Jim Cascino and Andy Meyer. Townley, of Toledo, Ohio, is a talented professional photographer and first-time attendee. Ward comes from Nashville, Tennessee, and is attending his third conference—his first as a docent. He is a photographer, transportation consultant, and steam preservationist. Sanderson is returning for his second tour as a docent and brings a wealth of photography exhibition knowledge from his work in New York City galleries. Cascino and Meyer are both first-time attendees and currently working on the Center’s photography collections at Lake Forest College. We thank the conference patrons, whose generosity makes the docent program possible.
Just a few tickets remain for Conversations 2015. Get them while they last!