The 2014 Conversations about Photography conference is sold-out. No tickets will be available at the door. The 2015 conference will be held April 10–12 on the campus of Lake Forest College. Tickets for the 2015 conference will go on sale in early January. We hope to see you there!
Jim Shaughnessy’s print shows Canadian Pacific Railway 4-6-2 steam locomotive no. 1257 stopping in Sherbrooke, Quebec, in 1957 with local passenger train no. 40. The 11×14 silver gelatin print was made by the photographer and is matted and framed in black metal to 20×24 inches.
“Freight train, west of Havre, Montana,” is one of Plowden’s signature railroad photographs—and one of his signature photographs of all time. The 1968 view shows boxcars in a Great Northern Railway train silhouetted against a dramatic sky with wheat fields in the foreground and a single car with an open door perfectly positioned near the right edge of the frame. The archival inkjet print is 11×14 inches and made by the photographer, matted and framed in black metal to 20×24 inches.
Tickets for each raffle are $10 each, $25 for three, $40 for five. You may purchase them online or at the conference. Please note that you must be present to win.
You can also purchase limited edition prints by Victor Hand and Mitch Markovitz both online and at the 2014 conference via the Center’s Print Program.
Four young photographers will attend Conversations about Photography this year on all-expenses-paid docent scholarships. High interest and strong support from the conference’s growing number of patrons allowed the Center to double the number of 2013 scholarships.
This year’s winners are James Edgar, Johnson City, Tennessee; Jonathan Lee, Chicago; Amanda Oakes, Binghamton, New York, and Samuel Phillips, Radford, Virginia. Edgar and Lee are both photography students in college. Oakes has a lifelong photography interest; her fascination with trains began in 2010 and has already led to publications and work for Canadian Pacific. Phillips is still in high school but already has published extensively in Trains and other magazines.
As docents, the scholarship recipients will attend the entire conference and assist the Center’s staff members and volunteers throughout the weekend. “The conference planning committee was impressed by the high caliber of work that all four of the recipients submitted,” said Scott Lothes, the Center’s president and executive director. “We look forward to having them join us, and we thank the conference’s many patrons for making these awards possible.”
Smashing. That one word sums up the Chicago opening of the Center’s and the Chicago History Museum’s Railroaders: Jack Delano’s Homefront Photography exhibition on April 3, 4 and 5. Well over 1,200 visitors viewed it on those three days—200 on Thursday for the museum’s opening reception for members, 350 on Friday for the Center’s own reception for descendants and family members of the portrait subjects, and 650 for the museum’s public opening on Saturday. Museum staff members were agog. One said that Center’s Friday event was “simply one of the finest in my years at the museum.” And the museum store posted record sales that night. Authors John Gruber, Pablo Delano, and Jack Holzhueter signed copies of the catalog steadily for about two hours. Joseph C. Szabo, administrator of the Federal Railroad Administration, gave the keynote remarks and blogged about his experience on the Department of Transportation’s website. Chicago publicity was over the top. The Chicago Tribune gave the show two-thirds of a page; the suburban Daily Herald featured it on its Friday front page; and a Sun-Times reviewer said that he was so touched by the film featuring Pablo Delano that he—a tough Chicago newsman—cried. We do not urge tears, but we do urge attendance and purchasing of a catalog.
Entry graphic (left) and cover of the catalog for the exhibition Railroaders: Jack Delano’s Homefront Photography, which opens April 5 at the Chicago History Museum.
On April 5, the Center’s largest project to date, Railroaders: Jack Delano’s Homefront Photography, opens at the Chicago History Museum, the Center’s partner on the exhibition. The project reveals the humanity, heroism, and diversity of the Chicago railroad community whose work was instrumental to the war effort during World War II. In 1942, photographer Jack Delano was tasked by the federal government to capture images of the rail community to rally support for the war effort. The result was three thousand images, many of which highlight Chicago’s primacy to the North American rail network. The dignity of everyday work and the stories of individual railroaders and their descendants are explored in more than 60 photographs by Delano. The exhibition will be open at the Chicago History Museum through August 10, 2015.
See photographs from the April 4 preview reception for family members of the portrait subjects on our Facebook page.
To accompany the exhibition, the Center is publishing a lavishly-illustrated catalog with 108 images, 58 color and 50 black-and-white, 73 taken by Delano. Contemporary photographs of portrait subjects’ descendants and other family members were made by Pablo Delano, Jack Delano’s son, who teaches photography and art at Trinity College in Hartford, Connecticut. The Center’s founder and past president, John Gruber, edited the catalog. Purchase the catalog and learn more about the exhibition on our website.