The Railroad Photography of Donald W. Furler

Donald W. Furler helped write the rules of railroad action photography. From taking engine pictures as a teenager in the early 1930s, he joined an elite group of railroad photographers who created a new aesthetic to portray the drama of steam railroading in motion. From the late 1930s through the 1950s, he dedicated nearly all of this free time to documenting operations throughout the northeastern United States and Canada, using a succession of ever-larger cameras for maximum detail and clarity. The Furler Collection is a cornerstone of the Center for Railroad Photography & Art’s archive, and we are proud to present this monograph.

Scott Lothes, the Center’s president and executive director, wrote the text and selected the photographs. His lead essay examines Furler’s life and photography, his relationship with the first editors of Trains magazine, and the changing railroad landscape of the Northeast. Maps by David Styffe present those railroads as they appeared in 1946 at the height of Furler’s activity and as they are today. Alan G. Furler, the photographer’s son, provides a poignant and personal Afterword.

$60 plus $5 for domestic shipping, hardcover, 10×11 inches, 216 pages, 200 duotone photographs

International shipping is available; please inquire by email at info [at] railphoto-art.org

Virtual Launch Party For Our New Book: The Railroad Photography of Donald W. Furler

Tuesday, August 25, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex

Now Available on YouTube

Join author Scott Lothes for a virtual launch of the Center’s newest publication, The Railroad Photography of Donald W. Furler. The 216-page hardcover book presents 200 stunning images, printed as rich duotones and showcasing the emergence of railroad action photography during the final years of steam in the Northeast. The Furler Collection is a cornerstone of the Center’s archive, and we are proud to present this long-overdue monograph. 
 
Lothes will take you behind-the-scenes for both the making of the book and his own fascination with Furler’s photography. Lothes will describe how he went about selecting which photographs to include from the 5,000 in the collection, while sharing a few of his favorites that made the final cut as well as some others that did not. He will also discuss the Center’s archival work, the overall strengths of this collection, and the fascinating industrial landscape of the northeastern United States that formed the backdrop for Furler’s photography. 
 
This event is free, and attendees will have the opportunity to pre-order the book and receive free shipping. 
 
Scott Lothes became the Center’s executive director in 2011, after serving on its staff part-time since 2008. In 2013 he succeeded John E. Gruber as the Center’s president and editor of its journal, Railroad Heritage. Lothes is an accomplished photographer and author, with more than seventy bylined articles in magazines including Classic Trains, Locomotive, NRHS Bulletin, Railfan & Railroad, Railroads Illustrated, and Trains, as well as two front-page travel stories in newspapers. In addition to authoring and editing The Railroad Photography of Donald W. Furler, he is coauthor of Wallace W. Abbey: A Life in Railroad Photography, and he has contributed forewords and chapters to five other books.

The first section of the Ringling Brothers and Barnum Bailey Circus Train heads east over the Lehigh and Hudson River Railroad behind 4-8-2 locomotive 10 on a damp June 13, 1948, near Burnside, New York. Photograph by Donald W. Furler, collection Center for Railroad Photography &Art, Furler-16-016-01

Following the Golden Spike: Time, Place, and Change Along the First Transcontinental Railroad

Drake Hokanson
Tuesday, August 18, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex

Now Available on YouTube

Terrace, Utah, showing ties left in place on the original Promontory transcontinental route. Drake Hokanson.
 
Join artist Drake Hokanson, contributing author and photographer to the Center’s publication After Promontory, in a re-photography trip along the original Union Pacific route in his virtual presentation, “Following the Golden Spike: Time, Place, and Change Along the First Transcontinental Railroad.”
 
Throughout the 150 years since the completion of the first transcontinental railroad, many parts of the 1,800-mile route between Omaha and Sacramento have changed enormously. Some sections are busy, three-track, state-of-the-art mainline; others are abandoned to the desert wind. In his presentation, Hokanson will address the broader history of railroads and photography and expand on how these two technologies came of age together in the nineteenth century and profoundly changed how we experienced the world. Through his black and white photographs, Drake Hokanson will explore the layered past, the natural and human geography, and the deeper meaning of this linear landscape.
 
Drake Hokanson is an author, photographer, and independent scholar who looks to the broad American land, its places, well-worn paths, people, and stories as the subjects for his photographs, books, exhibits, and essays. He is the author/co-author of three books, has edited and contributed to several others, and has exhibited photographs coast to coast. His other experience include teaching photography and nonfiction writing at the university level for some thirty years.

An Evening With The Winners of the 2020 John E. Gruber Creative Photography Awards Program: John Troxler & Steven Chen

John E. Troxler and Steven Chen won first prizes in the 2020 John E. Gruber Creative Photography Awards Program in the black-and-white and color categories, respectively.
 
Join us in a conversation about their photography on Tuesday, July 14, 2020 from 7:00-8:00 PM (US Central Time) on the Cisco Webex.
 
 
This is a free event.
 
John Troxler won first prize in the black-and-white category with this shot on a westbound NKP 765. He perfectly captured a young boy’s attention as it passes a Metra Employee Open House shuttle train during the afternoon of June 17, 2017 near the Chicago 47th Street Metra station.

Steven Chen took first prize in the color category with this shot of a CSX worker fixing the frog at the northeast end of Emory siding just outside of Atlanta, on January 29, 2019. Maintaining the essentials of railroading – the frog which connects the rails of sidings and main lines together – compose a humanistic side of railroad life.

Call for Submissions: Railroad Photography and Art During the Covid-19 Pandemic

We have a question for you: how have you, as a railroad photographer or railroad artist, continued to practice your art during a time of pandemic and unrest? Our hope is to come together as a community, and share with each other how we are responding to the situations that we all face.

Tell us—and show us—what you have been doing for the past three or four months. Have you been out photographing the masked employees who daily risk their health to keep our rail transit running? Have you turned to photographing empty stations or abandoned places? Are you sticking close to home, rediscovering your local railways, or are you engaged in the ultimate social distancing, and camping alone with your camera in very remote places? Have you been in your studio, working more than ever on drawings and paintings, or at home organizing your old negatives, prints, and slides? Are you researching in books or online, examining photographs of relief trains during the 1918 Influenza outbreak, or studying portraits of Pullman Porters?

We’re looking for short stories⁠—250 to 500 words⁠—that answer one or more of these sorts of questions. Tell us what you have been working on through this moment. Show us, too, with a few images of what you’ve been working on, whether it’s of a train in a wild and lonely place, or your studio with a half-finished painting on the easel.

We want to see what you are already doing, rather than ask you to make new work. Because of that, our deadline is short: please get us your submission by July 15.

Submission Process

To participate, please submit the following materials to submissions@railphoto-art.org:

  • Electronic submissions only. Files can be sent via email, Dropbox, WeTransfer, etc.
  • A first-person description of what you have been doing, between 250 and 500 words
  • 1-3 accompanying images, with location, date, and basic caption information; images should be high-resolution JPEG files with a pixel dimension of at least 3,000 on one side.
  • Text, captions, and contact information may be sent in a document (Microsoft Word, OpenOffice, or PDF) or in the body of an email.
  • Be sure to include your name, mailing address, email address, and phone number.

The Center will publish selected stories and images in a future issue of Railroad Heritage, online, or in another appropriate format. The Center reserves the right to retain electronic copies for future publication, use on website, Facebook and other social media, or for public exhibition. In all cases, the photographer retains the copyright to the image.

Send all submissions by July 15 to submissions@railphoto-art.org

A Wisconsin & Southern freight train cuts through downtown Madison, Wisconsin, on June 4, 2020. In normal times, John Nolen Drive at right would be much busier with morning commuter traffic. Aerial photograph by Scott Lothes