Note about book orders

Due to the ongoing public health situation, the Center’s offices are opened on a limited basis. We ask for your patience as we work to fulfill your orders. Our staff members are available by phone and email to answer any questions. Thank you for your understanding, and please stay healthy.

The Railroad Photography of Donald W. Furler

Donald W. Furler helped write the rules of railroad action photography. From taking engine pictures as a teenager in the early 1930s, he joined an elite group of railroad photographers who created a new aesthetic to portray the drama of steam railroading in motion. From the late 1930s through the 1950s, he dedicated nearly all of this free time to documenting operations throughout the northeastern United States and Canada, using a succession of ever-larger cameras for maximum detail and clarity. The Furler Collection is a cornerstone of the Center for Railroad Photography & Art’s archive, and we are proud to present this monograph.

Scott Lothes, the Center’s president and executive director, wrote the text and selected the photographs. His lead essay examines Furler’s life and photography, his relationship with the first editors of Trains magazine, and the changing railroad landscape of the Northeast. Maps by David Styffe present those railroads as they appeared in 1946 at the height of Furler’s activity and as they are today. Alan G. Furler, the photographer’s son, provides a poignant and personal Afterword.

$60 plus $5 for domestic shipping, hardcover, 10×11 inches, 216 pages, 200 duotone photographs

International shipping is available; please inquire by email at info [at] railphoto-art.org

The Railroad Photography of J. Parker Lamb

J. Parker Lamb broke new ground in railroad photography. His exceptional collection came to the Center for Railroad Photography & Art in 2015, and his work is now the subject of a book, published by the Center.

The text comes from Kevin P. Keefe and Fred W. Frailey. Frailey wrote a foreword that presents Lamb’s life story while contextualizing his work within the pantheon of railroad photography. Keefe served as editor, writing captions as well as an afterword focused on the singularity of Lamb’s photography in the South. Jeff Brouws and Wendy Burton did the design work, while Scott Lothes assisted with photo editing and digital prepress production.

$60 plus $5 for domestic shipping, hardcover, 10×11 inches, 208 pages, 160 duotone photographs




International shipping is available; please inquire by email at info [at] railphoto-art.org

After Promontory: 150 Years of Transcontinental Railroading

After Promontory: One Hundred Fifty Years of Transcontinental Railroading, edited by the Center and published by Indiana University Press in 2019, is part of a major project examining the histories and impacts of all of the nation’s transcontinental railroads. The 10×10-inch hardcover book features 19th-century photographs by some of the most ac­complished photographers in the nation’s history—artists such as William Henry Jackson, Timothy H. O’Sullivan, and Car­leton E. Watkins. Also included is recent photogra­phy from artists who explore the lasting impact the railroads have had on the landscape, both to the benefit and the costs of the region. At stake in all of these images, both period and more contemporary, is not only the railroad itself as a subject, but how photographers of different eras, with different motivations and different sensibilities, have thought of the transcontinental railroads and their legacies.

Expanding on the visual themes in the companion exhibit, the book offers a deeper look at the circumstances, histories, and impacts of the railroads that came to connect the Midwest with the Pacific Coast. Essays by railroad historians Keith L. Bryant, H. Roger Grant, Don Hofsommer, and Maury Klein add context and depth to the book’s 240 photographs. Robert D. Krebs, who served in the executive offices of railroads in all three regions, including as chairman and CEO of the BNSF Railway, wrote the foreword. Photographer Drake Hokanson, in the book’s concluding essay, reflects on photographing the transcontinental railroads then and now, and what these images can teach us.

$60 plus $5 for domestic shipping, hardcover, 10×10 inches, 320 pages, color and b/w





International shipping is available; please inquire by email at info [at] railphoto-art.org

Beebe and Clegg: Their Enduring Photographic Legacy

Beebe and Clegg: Their Enduring Photographic Legacy, a new book from the Center for Railroad Photography and Art, tells about how partners Lucius Beebe and Charles Clegg introduced railroad photography and the world of railroading to wide popular audiences. Beebe (1902-1966) initially championed the three-quarters or “wedge-of-pie” perspective in his photography. Clegg (1916-1979) introduced a more innovative outlook, boosting creativity for both of them. Their photographs shine in this new book, produced with the best of modern digitization, design, and printing techniques.

Over the course of eight chapters, the book traces Beebe and Clegg’s life and times together, their visual influences, short lines, narrow gauge lines, Nevada and the Virginia & Truckee, and their photography. The book includes 222 images from the California State Railroad Museum Library and Archives, all scanned from negatives and carefully cleaned and checked, revealing surprises. Many are previously unpublished. Thirty-six additional images come from other sources. “Their legacy is larger than the publications they produced, for they demonstrated that railroads serve America as an icon of its experience,” authors John Gruber and John Ryan conclude.

$65, plus $5 for domestic shipping, hardcover, 8.5×11 inches, 224 pages, duotone



International shipping is available; please inquire by email at info [at] railphoto-art.org