Fall Issue of Railroad Heritage

Fall on the Susquehanna
In the cover photograph for the Fall 2014 issue of Railroad Heritage, six locomotives lead New York, Susquehanna & Western train BH-1 through Whitney Point, New York, on the way to Syracuse at sunrise on October 12, 2013. Photograph by Amanda Oakes.

The fall issue of Railroad Heritage is now available for purchase through our online book store. Examining the future of railroad photography, writer David Lester answers the question of whether the younger generation is losing interest in railroad photography with, “Not a chance.” Lester interviews six photographers ranging in age from 18 to 30 in his cover feature, which assesses their interests and priorities, and displays the great passion they bring to the field. Incidentally, the cover photograph by Amanda Oakes is only the second time the work of a woman photographer has been featured on the cover of Railroad Heritage. Shirley Burman was the first. In conjunction with the 2014 annual meeting of the Lexington Group in Transportation History in St. Louis, there is an eight-page gallery of St. Louis railroad photographs by Center member Dick Neumiller, highlighting the Gateway City’s colorful railroads and especially its pre-Amtrak passenger trains. Three short features round out the issue. As part of our ongoing coverage of railroads and World War II in conjunction with our Railroaders exhibition at the Chicago History Museum, Center editorial consultant Jack Holzhueter shares his reflections on the patriotic imagery found in wartime dining car menus, which come from the collection of member John Kelly. Artist Elaine Wilson describes her project Charting the Wolverine of watercolors and maps highlighting Amtrak’s route across Michigan. Finally, as a follow-up to the spring issue profile on photographer Blair Kooistra, one of his former traveling and photography companions, Scott Bontz, shares his memories and photographs of their time together. Bontz has been never considered himself a railfan, and he brings an interesting perspective of an “outsider” to the pursuit of railroad photography.

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The Center’s journal, Railroad Heritage®, and other publications fill a unique niche: using photographs and art to inform the public and rail enthusiasts alike about the influence of railroads on economic growth and development, popular culture, and the lives of the hundreds of thousands of men and women who built and maintain North America’s railroads. Excellent images and highly researched and thoughtful writing characterize our publications. We launched Railroad Heritage in 2000 and now publish four issues annually, which our members receive for free as a benefit of membership. You can purchase previous issues here or by printing and mailing the order form (pdf).

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Railroaders: Jack Delano’s Homefront Photography

Railroaders: Jack Delano's Homefront Photography

200-page, hardbound, 11- by 11.5-inch book published by the Center. Printed in the US, it features 108 photographs, including seventy-three of Jack Delano’s 1942–1943 views of Chicagoland railroads and their workers, reproduced in full color with rich quadtones for the black-and-whites. Contempoary photographs by Jack’s son, Pablo Delano, and the Center’s John Gruber and Scott Lothes complement the catalog. There are essays by Pablo Delano, Gruber, and University of Texas professor Jeremi Suri, a leading public historian. Biographical essays prepared by Center editorial consultant Jack Holzhueter as well as Gruber and Lothes tell the life stories of the forty-nine railroaders.

$60, $50 for members of the Center, $15 s/h, 200 pages, hardbound, color and b/w


Pricing

Railroad Heritage, Fall 2014: Young Photographers, St. Louis

Railroad Heritage 38

Examining the future of railroad photography, writer David Lester answers the question of whether the younger generation is losing interest in railroad photography with, “Not a chance.” Lester interviews six photographers ranging in age from 18 to 30 in his cover feature, which assesses their interests and priorities, and displays the great passion they bring to the field. Incidentally, the cover photograph by Amanda Oakes is only the second time the work of a woman photographer has been featured on the cover of Railroad Heritage. Shirley Burman was the first. In conjunction with the 2014 annual meeting of the Lexington Group in Transportation History in St. Louis, there is an eight-page gallery of St. Louis railroad photographs by Center member Dick Neumiller, highlighting the Gateway City’s colorful railroads and especially its pre-Amtrak passenger trains. Three short features round out the issue. As part of our ongoing coverage of railroads and World War II in conjunction with our Railroaders exhibition at the Chicago History Museum, Center editorial consultant Jack Holzhueter shares his reflections on the patriotic imagery found in wartime dining car menus, which come from the collection of member John Kelly. Artist Elaine Wilson describes her project Charting the Wolverine of watercolors and maps highlighting Amtrak’s route across Michigan. Finally, as a follow-up to the spring issue profile on photographer Blair Kooistra, one of his former traveling and photography companions, Scott Bontz, shares his memories and photographs of their time together. Bontz has been never considered himself a railfan, and he brings an interesting perspective of an “outsider” to the pursuit of railroad photography.

$7.95, 36 pages, color and b/w

2014 Photography Awards: Lasting Impressions

First Place: Ronald OlsenRonald Olsen of Coventry, Rhode Island, won first prize in the 2013 photography awards for his night view of a steam locomotive working inside a steel mill in China. The theme was “creative images.”

The Center’s 2014 John E. Gruber Creative Photography Awards Program theme has been announced as “Lasting Impressions,” emphasizing memorable images. The Center desires photographs that leave lasting impressions, photography worthy of display on a living room wall or even a museum.

Submissions may consist of up to five images, either individual photographs or a grouping or sequence. No restrictions apply to subject, style, or technique, but the photographs should be rail-related and made since December 31, 2009. Digital editing (such as with Adobe PhotoShop) is acceptable but entrants should include this detail in their descriptions of the photographs so as not to misrepresent an image’s content. The contest is not specifying any one particular style, genre or technique. Very likely your best photographs are those you remember most, or are most remembered by those to whom you have shown your work. The sky is the limit, especially if the light is interesting.

Deadline: October 15, 2014
Winners announced: December 1, 2014
Submit to: award [at] railphoto-art [dot] org
Format: Full-size JPEG files at “high” or “maximum” quality setting
Publication: Railroad Heritage and Railfan & Railroad
Exhibition: California State Railroad Museum
First Prize: 13×19 printer from Canon and $500
Second Prize: $300
Third Prize: $200